Mamma Mia! It’s Monica’s birthday and Eric Stoltz.
Happy Birthdays guys!


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Paul Newman

On September 27, 2008, in America, Deaths, Film, Paul Newman, movie, by admin
Paul Newman

Paul Newman: ‘A pretty boy actor, but a hell of a good one’, says film critic Barry Norman .

With Paul Newman gone maybe only Clint Eastwood, five years his junior, is left of a generation of movie stars who defied the years to become and remain icons of the cinema screen.You don’t have to be much of an actor to become a film star – looks and personality often do it for you — but you have to be a very good one to remain a star and Newman was an extremely fine actor. Ironically, though, it was his looks, those chiselled cheekbones, those startlingly blue eyes, that initially held him back. Even after a remarkably good performance as the boxer Rocky Graziano in
Somebody Up There Likes Me, his breakthrough movie, people tended to write him off as just a pretty boy.

Lee Strasberg, who trained him at the Actors Studio, once said that he could have been as great an actor as Marlon Brando if he had not ‘relied too heavily on his looks and coasted through roles’.

But Strasberg was wrong. Newman might not have been as good as Brando (who is?) but as he said himself: ‘I may have looked
like Little Red Riding Hood but I was always a character actor.’

And so he was. In his day he was an even bigger sex symbol than Cruise, Pitt, Depp or any of the present lot, but in his best films – such as The Hustler, Hud and Cool Hand Luke – there is one
hell of a good character actor at work.

He’s probably mostly remembered as Butch Cassidy and the lovable conman in The Sting, but a lot of his best performances were in far more complex roles – a cynical chancer in Cat On A Hot Tin Roof, a rapist in The Outrage, a bandit turned lawman in The Life And Times Of Judge Roy Bean and, his last significant role, the gangster boss in Road To Perdition.

His peers, his fellow actors, recognised his gifts and nominated him ten times for Oscars but he won only once, for The Color Of Money, an award which he maybe didn’t deserve.

I believe the Oscar voters gave this one to Newman out of a sense of guilt, a belated recognition that they had overlooked him far too often and that, since he was already 61, they might not get another chance. Well, at least he won the Oscar, not that he would have bothered too much if he hadn’t. He didn’t even turn up that night when, finally, they gave him the award. Newman never took himself too seriously. In later life he even urged people to catch reruns of himself in one of his earliest movies, The Silver Chalice, in which, as a beskirted Greek slave, he gave a performance that he cheerfully acknowledged to be quite appalling.

But by then he must have known how good he really was, that he had the ability granted to very few movie stars to become completely the character he was playing while retaining the attractive, charismatic persona of Paul Newman. I met him many years ago when he was a young actor. I remember he was utterly charming but his eyes were slightly less blue than they appeared on screen.

I once asked Joanne Woodward, his wife of 50 years, how he retained his enviable looks. She said he would plunge his face into cold water
several times every morning because it kept the skin taut – and added: ‘Anyway, he’s never had an ugly day in his life.’

Tribute to Paul Newman,
one of my all time favourite actors and the star of the first movie I ever
saw in a cinema, Butch Cassidy and The Sundance Kid.
 

Dog Pool

On September 19, 2008, in Film, by admin

Dog Pool

Nick let me use his dog and he ran it around the rock pool for me.

 

Long Weekend Trailer (1978) & 2009

On September 6, 2008, in Film, by admin

lost_weekendCouldn’t
resist this,
not with a tagline like that.
It reminded me so much of my camping holiday
recently:

Tag: “They came for a holiday…now
they’re running for their lives…” (Love it!)

Plot: When a suburban couple go camping
for the weekend at a remote beach, they discover that nature isn’t in
an accommodating mood.

This amazing film is available from SynapseFilms with loads of extra features. It is currently available from any reputable DVD seller or online e-tailer!

You want the trivia? Here it is:

  • Director Colin Eggleston cameos as the voice of Marcia’s lover on the phone.
  • Actor George Mallaby was originally wanted for the role of Peter, but executive producer Richard Brennen pushed to have John Hargreaves cast in the role having worked with him previously on The Removalists (1975).
  • Even though star Briony Behets was married to director Eggleston at the time, she wasn’t his first choice to play the role of Marcia. She only got the role later after another actress fell through.
  • The decision to have rainy weather in the early driving scenes was an effort to hide the fact that the interior scenes in Peter’s jeep were filmed inside a darkened garage. During the shooting grips would run past carrying flashlights to make it appear like they were lights from passing cars.
  • Shot in four and a half weeks.
  • Mike McEwen was cast as the truck driver (who appears at the gas station, then plays an important role in the finale) because he bore a resemblance to star John Hargreaves.
  • Cinematographer Vincent Monton said that the weather conditions while shooting the film were eerily co-operative. He said when the script would call for a scene with sunny skies the weather would be beautiful, but as the intensity and strangeness of the script grew the weather conditions would change to match the moody atmosphere of the scenes being filmed. Throughout the shoot the weather always seemed to change to suit the scene that was being made!
  • The mysterious shadow near Peter in the ocean was actually made by a crude structure of trash bags that was being pushed along through the water by Richard Brennen, who was submerged just beneath it.
  • Despite winning numerous awards and being a success overseas, the film was a flop both critically and commercially in its home country of Australia.
  • The possum that bites Peter had to be heavily tranquilized just so it would move slow enough to be seen attacking on film.
  • The tree that the harpoon gets impaled into, then later dies and decays throughout the climax, wasn’t actually part of the forest at the filming location. It was cut and transported to the location for the shoot so that it could gradually be destroyed during the film.
  • The last 20 minutes of the film has practically no dialog at all.
  • When the film was screened at the Cannes Film Festival, producer Richard Brennen noticed a man get up and leave the screening after only 10 minutes of the film. He followed the man out to ask him why he was leaving. It turned out the gentleman was a film distributor for South America and was going to buy the rights to the film after seeing only minutes of it. In total four foreign distributors bought rights to release the picture during the screening.


And here’s the 2009 version trailer.